Kristina Warren is an electroacoustic composer, experimental vocalist, and improviser based in Liverpool, England. Her creative work, including her graphic and text scores and her digital/vocal performance practice, explores choice, process, communication, and time. Warren’s compositions have been selected for performance at events such as Electroacoustic Barn Dance (EABD), International Computer Music Conference (ICMC), National Student Electronic Music Event (N_SEME), New York City Electroacoustic Music Festival (NYCEMF), and the Society for Electroacoustic Music in the US (SEAMUS) conference, and have been performed by ensembles such as Dither, Ekmeles, JACK Quartet, loadbang, the Meehan / Perkins Duo, Sō Percussion, and Third Coast Percussion. She has been selected as a PEO Scholar Award recipient (2016), an Associate Artist at the Atlantic Center for the Arts (2016), and a finalist in the American Composers Forum National Composition Contest (2014). Warren is a PhD candidate in Composition & Computer Technologies at the University of Virginia, and holds a BA in Music Composition from Duke University.
Karl Berger is a six time winner of the Downbeat Critics Poll as a jazz soloist, recipient of numerous Composition Awards ( commissions by the National Endowment for the Arts, the New York State Council on the Arts, the Rockefeller Foundation, European Radio and Television: WDR, NDR, SWF, Radio France, Rai Italy. SWF-Prize 1994 ). He became noted for his innovative arrangements for recordings by Jeff Buckley (“Grace”), Natalie Merchant (“Ophelia”), Better Than Ezra, Buckethead, Bootsie Collins, and for his collaborations with producer Bill Laswell.
He recorded and performed with Don Cherry, Lee Konitz, John McLaughlin, Gunther Schuller, the Mingus Epitaph Orchestra, Dave Brubeck, Ingrid Sertso, Dave Holland, Ed Blackwell, Ray Anderson, Carlos Ward, Pharoah Sanders, Blood Ulmer, Hozan Yamamoto and many others at festivals and concerts in the US, Canada, Europe, Africa, India, Phillippines, Japan, Mexico, Brazil.
Founder and director of the Creative Music Foundation, Inc., dba The Creative Music Studio, a not-for-profit corporation, dedicated to the research of the power of music and sound and the elements common to all of the world’s music forms; and to educational presentations through workshops, concerts, recordings, with a growing network of artists and CMS members worldwide.
Angela Morris is saxophonist-composer rapidly making her presence felt in the Brooklyn avant-jazz community. Originally from Toronto, she has performed across the US, Canada, Mexico and Europe.
Her band Rallidae will release their new album, “Turned, and Was,” in November 2016, following their debut “Paper Birds” which AllAboutJazz called “an exceptional debut by and exciting and innovative new band.” Some other projects include TMT Trio, Angela Morris Quartet, and composing and conducting for an 18-piece big band co-lead with fellow tenor saxophonist Anna Webber.
Morris is an alumna of the BMI Jazz Composer’s Workshop lead by Jim McNeely, and received her Masters degree in jazz composition from the City University of New York where she studied with Darcy James Argue. She has been awarded the Marvin Hamlisch award for Jazz Composition and is a Canada Council for the Arts grant recipient.
Originally from Chicago and classically trained, Myra Melford is a composer with a singular, kinetic, and lyrical voice in piano improvisation. Chicago blues, architecture, jazz, and experimental music inspire her work. She has released over 40 recordings, including 20 as a leader or co-leader, and maintains three bands: the celebrated quintet Snowy Egret, the collective Trio M, and the duo Dialogue with clarinetist Ben Goldberg. She is a Guggenheim Fellow for “Language of Dreams,” (2013), a Doris Duke Performing Artist (2013) an Alpert Award in the Arts recipient (2012), and has been honored numerous times in Down Beat Critic’s polls. She was the Artistic Director and Co-curator for the 2015 New Frequencies Fest: Jazz@YBCA in San Francisco, and has been a professor at UC Berkeley since 2004, teaching classes in improvisational practices and composition.
Recent projects include Snowy Egret (Enja/Yellowbird), her latest quintet recording released in spring 2015 and Life Carries Me This Way (Firehouse 12, 2013), a solo piano recording featuring original compositions based on the drawings of Don Reich. She presented a 25-year retrospective of her work at The Stone, in New York City, in March 2015.
New and upcoming recordings include a duet with Ben Goldberg (released in January 2016), a duet with Allison Miller due out in fall of 2016, a trio with Miya Masaoka and Zeena Parkins, and a trio with Nicole Mitchell and Joelle Leandre.
In March 2016, she will present Snowy Egret for a week at the Village Vanguard in New York City. In May/June 2016, she will be in residence at the Atlantic Center for the Arts, developing “Dissonant Futures,” a piece for piano, prepared piano, electronics and video with Ian Winters.
Susanna Hood is a Montreal-based dance and music artist. For nearly two decades, she has been synthesizing voice and movement into a dynamic practice that informs all her performance work. Her choreography, compositions, and interdisciplinary collaborations have been presented locally, nationally, and internationally on stage and film since 1991. From 2000 to 2013 she was the artistic director of the interdisciplinary performance company hum dansoundart. Awards include the 1998 K.M. Hunter Emerging Artists Award in Dance, a Dora Mavor Moore Award, and the Victor Martin Lynch-Staunton award for Outstanding Achievement in the field of Dance. Susanna was the first dancer to join Weblogmusic!
Terri Lindbloom is Head of Sculpture at the Florida State University. She has shown work in Art Basel Miami Beach, New American Painting, and the International Symposium on Electronic Art. Her work explores the relationship dynamics between defined architectural space and simple human interactions—those unprovoked or unpremeditated intimate acts that inform and influence more than the person or thing for which that action was intended. This juxtaposition of space, form and image creates a degree of awareness within the viewer of her/his presence and resulting effect. Terri was the first visual artist to contribute to Weblogmusic!
Irish contemporary classical composer and pianist Ailís Ní Ríain presently based in northern England, UK. Composes concert music, music-theatre, music-installation and works within multiple interdisciplinary projects.
Recent phrases Ben Zucker has begun using in describing his work include “object relations”, “situation creation”, and “human algorithms”. Said work includes concert music, improvisation, electronica, installations, and performance art, which has been premiered all over the world, including the Berlin Audio Branding Academy, New York Fringe Festival, Northwestern University, and the Banff Centre. Ben performs as a percussionist, pianist, singer, and brass player, including as a founding member of the world-groove band Don Froot, the Improvers’ Choir in London, and the Apres-Garde Ensemble in New Haven, Connecticut. He has also collaborated with numerous individuals in over a dozen films, plays, and dances (including The Last Days Of The Old Wild Boy with Rinde Eckert). Ben is a recent graduate of Wesleyan University, where he studied composition with Anthony Braxton, David Behrman, and Neely Bruce; currently, he resides in London, and studies with Jennifer Walshe and Christopher Fox at Brunel University.
Elisabeth Blair is a vocalist and composer currently working on an MM in Music Composition at Western Michigan University. She earned her BA in photography at a small university in London in 2004, then spent several years performing on the folk singer/songwriter circuit in Chicago while also collaborating frequently with performance and conceptual artists. She particularly enjoys vocal improvisation and writing for strings, and is passionate about raising awareness of classical and new music written by women. She runs a webpage showcasing these works, and is in the process of producing a podcast series based on interviews with female composers.
is an avid teacher, arranger, and performer of solo and chamber music. As a faculty member at Arizona State University, he taught Rock Guitar I and II as well as Funk Ensemble from 2011–2013. He currently teaches classical guitar in the Austin, TX area and via the internet at HudsonLanier.com.
Highlights of Dr. Lanier’s solo classical guitar career include performances on the guest artist recital series at Syracuse University and also Cornell University. He gave his debut as a concerto soloist in 2012 with the Rochester Symphony Orchestra, performing the Concerto de Aranjuez under the baton of Maestro Jere Lantz. Dr. Lanier is a member of Duo Brucoco, a classical guitar and bassoon duo with Laura McIntyre. The duo specializes in new music as well as outreach. Duo Brucoco’s highlights include performing at the 2013 International Double Reed Society Conference and also receiving a recognition for “outstanding and dedicated service and support to the youth of the Arizona Department of Juvenile Corrections” in 2012. Dr. Lanier studied at the Oberlin Conservatory, Eastman School of Music, and Arizona State University.